JOHN KAIZAN NEPTUNE
Words Can't Go There
(p) 1992 Oasis Productions
10tks/70mins
I need to confess, that when I was thinking how can I describe the album
of John Kaizan Neptune, I had some problems. Indeed, what words can trustworthy
characterize a real meditative music, the very music behind which is silence?
But this CD is of this kind. "Words Can't Go There" is rather an
album-meditation.
The musician plays shakuhachi, which is a kind of traditional Japanese
flute. There is a system of classification of these flutes, which differ
by their size (the length of shakuhachi changes in a strictly determined
sequence). Each one of these flutes has unique timbre.
John plays an instrument, which was made by his own hands. Moreover,
the manner of playing of this artist is very original. Sometimes his instrument
produces roaring-flowing sounds (composition "Nesting Life of the Cranes"),
and sometimes - shimmering rustle of falling leaves (composition "Falling
Leaves"), and sometimes - a little bit sobbing plaintive whisper, intermitting
with trumpeting roar (composition "Distant Cry of the Deer"). Sometimes John's
shakuhachi produces something inconceivable. With this sound of his flute
is characterized by an amazing purity, and it can be even said, by some
nakedness. This is connected by the fact, that the album was recorded in
John's house. His previous album the musician has recorded in the best studios
of the world ( of course, Japanese ones!), which are equipped with the most
advanced technique, - Toshiba EMI, Nippon Columbia? Victor (JVC). As John
writes himself, he "got spoiled" having got used to the most strict standards
of recording. That is why the musician has built a house in Japanese province
of Kamogawa according to his own project. It is enough to say, that in this
house are 9-meters ceilings, very thick walls for achievement of a good ratio
signal / noise and special noise-absorption curtains. All the music was recorded
in the deep night (between eleven-thirty at night and four-thirty in the
morning). The musician had only opened the windows, so that the singing of
crickets added a special aroma to his music. So, this album contains only
a small part of this night five-hours meditation. The flutist has performed
both traditional Japanese melodies and his own compositions.
A discovery for me was not only the music by John Kaizan Neptune, but
also the company which released his album. This is a Canadian label "Oasis
Productions". To the album was added a catalogue by this company, which
specializes in meditation music. Just the names of albums can tell us a lot:
"Tibetan Sacred Temple Music", "Zen Spirit", "Bardo" and so on. By the way,
according to the Tibetan religion, the word "Bardo" describes the state in
which is a soul after death until the next reincarnation.
Moreover, the music by John Kaizan Neptune may be characterized as calming,
floating and charming. But I understand how poor are these words! They are
only a pale and faded shadow of the music which presents us the flutist.
Those, who have heard such musicians as Hariprasad ?haurasia or, for example,
Djivan Gasparyan can imagine what is the album "Words Can't Go There". For
those, who did not hear this music, I can only cite the following lines by
Japanese poet Esano Tekkan, to characterize the work of John Kaizan
Neptune:
In the evening distance
A flute is longing,
Sighs the wind,
Near wine shop
It swings a willow.
Serge Kozlovsky |