RICHARD BONE
Ascensionism
(p) (c) 2000 Quirkworks Laboratory Discs
9tks/48mins
"Ascensionism" is the final part of the trilogy by Richard Bone, following
the brilliant-experimental "Electropica" and "Coxa". And, probably this is
the most strong and extraordinary part of the trilogy. Richard Bone, masterly
intertwining ethnical melodies and Oriental rhythm in his music, connects
all this with an ambient-covering sounding and his numerous 'firm' noises.
I need to say, that Richard Bone works with noise masterly, creating the
special, a little bit 'pushing aside' atmosphere, helping to ascent to the
highs of his trance-ambient-ethnical-jazz experimental music.
"Waters of Assiyah" is an elegantly-smooth beginning of the journey.
In the "Sister Samadhi" appear a pulsing rhythm and strict structure with
soft little bells sometimes appearing in the background. The ascent begins
with a total dance.
Birds singing and the deaf beats of the drum announce the appearance
of "Kavvannah". A not fast walk in a beautiful garden, a journey to the clear
consciousness. And here we take off with the soft keyboards sounds and
weightlessly-transparent noises in "Ariel Dane & The Serphim Swing".
It is changed by spyingly-mysterious "Walking' With The Dharma Bums" with
jazz sound and 'free' brass section. We are somewhere in a secret place,
an inn, hidden in the high mountains. Among the various crowds we are waiting
for the meeting with a guide, who will lead us through the hidden gorges
and dangerous passes to the sun-lit peaks, which white caps are sparkling
above.
We approach the culmination part of our journey. Noisy places and densely
inhabited settlements are left behind. We are alone among the silence of
mountains. Even the air is vibrating here. The road becomes more dangerous,
and ringing little bells together with strict melody in "Ascensionism" lead
us on a narrow path between the open gorges, protecting us from falling into
an abyss.
The inner solitude becomes especially sharp in "Jhana". There are only
sharp peaks and unlimited distance wrapped in a white fog around us. Piercing
keyboards underline this endless solitude. And here we are caught up by a
sensually-optimistic "Sultry Sally's Meditation Alley". Enjoying the sensitivity
is not putting you down, but uplifts you. And there is a non-seriousness
of a Divine celebration in all this.
Our ascent to the pulsingly-flowing spaces of the other world is concluded
by "The Continuing Adventures of Jet Swami". Jet Swami prepares the listener
for the new adventures. And they take place in the hidden final nameless
composition. One can feel the piercing tenderness, which flowing with waves,
reaches the most intimate depth of the human essence.
Listen to this music. It is difficult to describe it, because it not
similar to anything and it can be experienced only with an open heart.
Serge Kozlovsky |